ID de tableau:: 3412
Baptism of Christ Le Baptême de Christ 1623
Art History Museum, Vienna 1623 Le Musée dHistoire dArt, Vienne 1575-1642
Italian
Guido Reni Galleries
ID de tableau:: 32869
Baptism of Christ le Baptême de Christ mk84
ca.1565
Madrid,
Prado
Panel
49x37cm
mk84 Californie. 1565 Madrid, le Panneau de Prado 49x37cm Spanish painter
1526-1579
ID de tableau:: 39619
Baptism of Christ le Baptême de Christ mk150
before 1623
Canvas
263.5x186.5cm
mk150 avant 1623 Canevas 263.5x186.5cm 1575-1642
Italian
Guido Reni Galleries
Flemish painter (b. ca. 1480, Bouvignes, d. 1524, Antwerpen).
ID de tableau:: 39644
Baptism of Christ le Baptême de Christ mk150
c.1515
Signed Oak
59.7x76.3cm
mk150 c. 1515 ChêneSigné 59.7x76.3cm Flemish painter (b. ca. 1480, Bouvignes, d. 1524, Antwerpen).
ID de tableau:: 62347
Baptism of Christ 24 x 18 cm Galleria Estense, Modena The Baptism of Christ is the right panel on the front of the Modena Triptych. The Modena Triptych strikingly illustrates El Greco's transition from post-Byzantine icon painter to European artist of the Latin variety. The portable altarpiece, whose unknown patron perhaps stemmed from a Creto-Venetian family, in its open state shows a total of six scenes: on the front, the central panel bears a rare depiction of the Coronation of the Christian Knight, and on the wings we find the Adoration of the Shepherds on the left and the Baptism of Christ on the right. On the reverse, a View of Mount Sinai with its famous convent of St Catherine is flanked by an Annunciation and an Admonition of Adam and Eve by God the Father. This type of object with its gilded frame elements was common in Cretan workshops of the 16th century, as is its use of wood as a painting support. Author: GRECO, El Title: Baptism of Christ , 1551-1600 , Spanish Form: painting , religious Greek-born Spanish Mannerist Painter, 1541-1614
ID de tableau:: 62987
Baptism of Christ 1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In spite of the high quality details of this scene, the irrational representation of the water in which Christ stands indicates that Giotto was still influenced by medieval iconographic conventions. Artist: GIOTTO di Bondone Painting Title: No. 23 Scenes from the Life of Christ: 7. Baptism of Christ , 1301-1350 Painting Style: Italian , , religious Italian Early Renaissance Painter, 1267-1337
ID de tableau:: 63006
Baptism of Christ 1473 Fresco Sant'Andrea a Brozzi, San Donnino The fresco is in the tympanum above the Madonna and Child with Saints. Two angels are kneeling on the left bank of the river Jordan, shown as a little flat stream flowing towards us. They are holding the clothes of the person being baptized, who is clad only in a loincloth. Christ is standing in water up to his ankles. St John the Baptist, in a fur robe, is gathering up his cloak and stepping carefully on to a stone to baptize Christ. This fresco, because of its poorer quality, is frequently attributed to assistants from Ghirlandaio's workshop. It is a loose copy of the famous panel painting which Verrocchio painted with the help of his assistant Leonardo da Vinci. Ghirlandaio added the two praying angels on the right of his composition, and these, together with the corresponding figures on the other side of the river, form a compositional frame for the work.. This assumption that clear symmetrical balance is important shows that the artist was still rather conservative. Artist: GHIRLANDAIO, Domenico Painting Title: Baptism of Christ , 1451-1500 Painting Style: Italian , , religious Italian Early Renaissance Painter, 1449-1494
ID de tableau:: 63092
Baptism of Christ 1502-05 Marble, 282 and 260 cm with bases Baptistry, Florence This group is located over the east entrance of the Baptistry. Artist: SANSOVINO, Andrea Painting Title: Baptism of Christ , 1501-1550 Painting Style: Italian , sculpture Type: religious
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
ID de tableau:: 63529
Baptism of Christ 1482 Fresco, 335 x 540 cm Cappella Sistina, Vatican The fresco is from the cycle of the life of Christ in the Sistine Chapel. It was painted by Perugino and Pinturicchio, the latter being probably responsible for the landscape and minor scenes. The paintings were to be read in pairs, one from the left and one from the right. Thus the Baptism of Christ faces the Circumcision of Moses' son by Perugino and Pinturicchio. A comparison of the pairs of scenes shows clearly that the principal concern was to show how the new religion of Christ was deeper and more spiritual than the Jewish religion. Thus the pair of frescoes showing the Baptism and the Circumcision emphasize how baptism - prefigured, according to Augustine and many of the Fathers of Church, by circumcision - represents a "spiritual circumcision."Artist:PERUGINO, Pietro Title: Baptism of Christ Painted in 1451-1500 , Italian - - painting : religious Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).
ID de tableau:: 64083
baptism of christ painted c. 1609-14,cossio
162x76
hospital of san juan bautista, toledo Greek-born Spanish Mannerist Painter, 1541-1614
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
ID de tableau:: 73796
Baptism of Christ Baptism of Christ
cjr (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
ID de tableau:: 73914
Baptism of Christ Date from 1470(1470) until 1475(1475)
Medium Oil and tempera on panel
Dimensions Width: 152 cm (59.84 in). Height: 180 cm (70.87 in).
cyf Italian Early Renaissance Sculptor, ca.1435-1488
ID de tableau:: 75117
Baptism of Christ Date ca. 1475(1475)
Medium Oil on panel
Dimensions 177 X 151 cm (69.68 X 59.45 in)
cyf Italian Early Renaissance Sculptor, ca.1435-1488
ID de tableau:: 83478
Baptism of Christ 1510-1515
Medium English: Oil on wood
Dimensions 59.7 x 76.3 cm (23.5 x 30 in)
cjr Flemish Northern Renaissance Painter, ca.1485-1524
ID de tableau:: 84554
Baptism of Christ Date first half of 16th century
Medium Oil on oak
Dimensions Height: 59.5 cm (23.4 in). Width: 77 cm (30.3 in).
cjr Flemish Northern Renaissance Painter, ca.1485-1524
ID de tableau:: 85523
Baptism of Christ VERROCCHIO, Andrea del The Baptism of Christ
Oil on wood, 177 x 151 cm
cyf Italian Early Renaissance Sculptor, ca.1435-1488
